In pride and prejudice who is to be blamed for lydias behaviour essay

Having stood the test of several epochs, the novel remains one of the best in the world literature. From the opening and to the closing line the author shows that it is not appropriate to judge a person on first acquaintance.

In pride and prejudice who is to be blamed for lydias behaviour essay

March 23, Keywords: Shuman PAGE 2 Dedication In memory of my Mother Mildred Josephine Shuman who taught me the immeasurable joy of a great book and for my Father Earl Ervin Shuman who showed me the incomparable power of a gentle spirit Live as though youll die tomorrow; learn as though youll live forever.

PAGE 3 Acknowledgments My research into the life and work of Otto Rank began nearly forty years ago in the undergraduate classroom of Clarence Wolfshohl, and since then I have tried to follow that great teachers lead in exploring both the logic and whimsy of the passionate intellect.

His interest in the diverse accomplishments of William Morris prompted the topic of my masters thesis, and his comments about an obscure machinist-psychoanalyst from Leopoldstadt eventually led to this dissertation.

For his continuing inspiration and encouragement, I am humbled and grateful. Phillip Sipiora, my dissertation advisor, deserves multiple acknowledgments for reading my work and providing encouragement and advice at the most inconvenient of times, but this single thanks alone will have to do.

Silvio Gaggi is remarkably adept at offering invaluable advice at just the right time, and I thank him for his insight and for his propitious instinct.

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I hope the scholarly enthusiasm of Dr. Gatan Brulotte is replicated in this text: Rick Wilbers intimate knowledge of Irish character not only influenced my chapter on Yeats but, in the telling, captivated me with the warmth and conviction of his speculative imagination.

In pride and prejudice who is to be blamed for lydias behaviour essay

I wish these acknowledgements could be so graciously told. Finally, a special thanks to my wife, Susan, who has proofread nearly everything Ive ever written with attention and patience.

Gratitude always returns to the hearth. Within Culture 22 Chapter Two: Lawrence 60 Chapter Three: Eliot 91 Chapter Four: A Womans Face, or Worse: William Butler Yeats Chapter Five: Shuman ABSTRACT Otto Rank is a significant but generally overlooked figure in the early history of psychoanalysis, and his work provides an illuminating context for the study of subjectivity and modernist culture.

The modernist identity of my title is intended to represent, first, the concept of the individual self identified and expressed during this period and, secondly, the unique identity of modernist culture developed by artists through creative acts and emanating as the intellectual ambiance of the era.

"A Woman's Face, or Worse"

Through an examination of Ranks later theories and the work of prominent modernist artists, including Lawrence, Yeats, and Eliot, this dissertation will show that Ranks expository writings emerge as psychoanalytic and cultural inquiry expressing essentially the same intellectual and social precepts presented by prominent modernist writers in substantially different ways.

Ranks work therefore exists as a cotextual statement of the grand themes of those artists and of that era. I also show that Ranks perception of the modernist landscape, whether literary, social, or cultural, at once illuminates and refutes the concept of modernism consciously constructed and advanced, as a poetic manifesto, by artists generally associated with the traditional modernist temperament.

The diverse voices of modernism, in fact, often represented Rankian irrationality over the Freudian unconscious, a personality capable of reconstructing the fragmented self over one ii PAGE 6 acquiescing to disintegration, and the spiritual or magical over the rational constructs of a progressively more scientific and technological age.

I will demonstrate that Ranks theories provide not only a method for reading literature but a means for addressing issues critical for our time, including subjectivity, the process of individuation, diversity, and the empowering exercise of creative will.

"A Woman's Face, or Worse"

The work of Eli Zaretsky and other contemporary cultural theorists, although never mentioning Rank or his work, presents the duty of criticism and psychoanalysis in our time as remarkably consistent with Ranks notion of psychoanalysis and the place of the individual in culture.

Ranks ideas, originally founded upon nineteenth-century science and psychoanalysis, ultimately provide a context for understanding twentieth-century modernist culture as well as a rationale for developing a new concept of humanism and for advancing twenty-first century post-theory literary studies.

Rank accepted the first paid position with the Vienna Psychoanalytical Society in and eventually became the youngest member of the secret Committee established to promote the cause of Freudian psychology.In ‘Pride and Prejudice’, there are a number of people who can be blamed for Lydia’s behaviour.

Lydia develops into a selfish, egocentric, thoughtless and superficial girl through the influence of others and a lack of discipline and boundaries. We will write a custom essay sample on Who is most responsible for Lydia’s downfall in “Pride and Prejudice”?

specifically for you for only $ $/page Order now. In ‘Pride and Prejudice’, there are a number of people who can be blamed for Lydia’s behaviour.

Lydia develops into a selfish, egocentric, thoughtless and superficial girl through the influence of others and a lack of discipline and boundaries.

Lydia’s behaviour, in particular, is all too often the source of much embarrassment on the part of Lizzy, who realises the inappropriateness of it in certain social situations.

*Jane Bennet* Jane, the beauty of the family, is the eldest Bennet daughters and has a close relationship to Elizabeth. Essays and criticism on Jane Austen's Pride and Prejudice - Critical Essays.

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